Thanks for sharing these transcriptions, and info on Sam Most! I'm a jazz saxophone player who is always trying to improve on flute and these excellent solos and transcriptions will help. I enjoy his playing and am listening to a lot of it today.
l loved seeing and hearing Sam when he started coming to the National Flute Association convention when he was in his 70s. What great jazz flutist.
So creative and swinging. He is missed.
Awesome swing included between air and the sound. At the beginning I copied a lot of Sam Most's improvisations, I still do this with my students.
Sam was an incredible musician and a sweet person. I dated him in 1969 before moving to Europe for a yearlong jazz gig with some stellar musicians. He wrote out some leadsheets for me in 1972. R.I.P. I loved hearing him scat! He and Frank Rosolino were my favorite players an both were master scatsingers.
May Sam's fluting be forever heard. I've spent many hours enthralled by it and I'm deeply grateful for the music he performed.
I took up the flute in my teens because of jethro tull, then I heard Roland Kirk but I didn't realise that Sam was the first to sing into the flute. Agreat influence and innovator.
Yesterday I was in a San Francisco record store asking \'Do you know any good flute players?\' He asked what genre, and I said jazz?? Not sure who, if anyone there was. He turned me onto Sam Most,
and that led me here now looking for more of his songs. Wow what talent! Now I understand, \"The cat with the Most\" I love hearing the stories below, as I arrived to the party late and never got to
see him. Go cat go !
I didn\'t know Sam, but when I was a young guitar player in the 70\'s I got a book of his transcribed solos (can\'t remember the name). It was extremely helpful and of course the solos were great.
Wish I still had it.
I hired Sam to be a guest artist at Fullerton College November of 2012. The students and audience were floored to learn what I already knew: Sam was a profound bebopper with complete mastery over his
instruments and about the sweetest guy anywhere. I miss him and am so glad we got to show him off to a young generation of listeners.
Sam has been one of my all time favorites!
I was fortunate to have a lesson with him in the
80\'s. It was a lesson that I am still working on
30 years later. A week will not go by without me having my heart opened by Sam\'s soulful
Mastery!! In recent years I have been deep into
Paul Gormley\'s 3 beautiful albums that feature
Sam with the great Larry Koonse and Paul Kreibich. At this very moment I am being blown away by the Solo Flute recording. When Sam plays I hears the whole ensemble behind him even though it\'s just
him!
Thank you so much for promoting Sam the great treasure!
I still have a copy of Sam's Jazz Flute Conceptions (1974). His work speaks volumes, and in particular the album But Beautiful never ceases to amaze me. His lines, their technical depth,
sophistication and candor make his work a model of perfection. I feel blessed to have heard him in Vegas at the 4 Queens in '84. His talent is legend. May he rest in peace.
I am playing flute for about 20 years as an amateur in Germany. I love Bebop and flute as well. First I was strongly caught by Jazzguitar which I played for more than 30 years and suddenly switched
to trumpet which let me struggle a lot. Later in my passed age of about 40, flute crossed my way - and of course all great flutists in Jazz. Sam Most seemed to be the most profound Jazz flutist for
me. I like his scat type flute playing very much which later was picked up from so many... I remember me being influenced by that kind of singing into the flute in the realm of rock music introduced
by Ian Anderson from Jethro Tull - but Sam was the originator. Love him for that important contribution to the world of flute! Today I am 58 and again put up my flute after watching Sam's youtube
clip about his life.
Thanks a lot Sam!
His book "Metamorphosis" has impacted me and my playing as much (if not more) than any published Jazz educational resource I've ever come across.
Trying to become a non professional jazz flute player, I have got a few Sam Most vinyl records in the 80s and tried to understand the way he played tunes and solos : "le phrasé" ! unique, special,
amazing, "monstrueux" "inimitable"...35 years later, he still makes me dream...
stunning... absolutely stunning!
I've been listening to Sam for over forty years and is always an instant inspiration,his books have been part of my daily routine as well. Thank You Sam! R.I.P
Sam eri il più grande di tutti!
I was fortunate to hear and meet Sam back in the 70s. While I didn't see him again in person until the NFA Convention last year in Las Vegas, he remained an inspiration throughout. Every time I was
able to lay hands and ears on a new recording I was reminded and re-inspired.
I first heard Sam music when I was 17 years , flute player , I was blow away by his musicality , and have been trying to match it ever since .
I try to play the flute and have a decent collection of albums by various flutists, but only TODAY (10 Nov. 2013) did I first hear Sam Most. What a brilliant musician! How could I only now find his
music?!?
Sam was truly a pioneer. His work set the pace for what the flute could be in jazz. If you want to measure his influence, look at all the people who sought Sam out to record with him. No truer
measure of his talent and influence is required.
What can I say that hasn't been said already? Sam blew the hell out jazz flute for a good long time. It's always a pleasure to listen to him.
I listen to his music on my ipod every morning on the way to the bus. It's very exciting, inspiring, moving!
Rick, you have been doing a wonderful job
in promoting Sam's work and now in honoring his memory. Keep the great work!!
I got hip to Sam in my teens when I received Flute Flight on LP. I sat in with him years later at Charley O's in LA where he was working with my old friend, Pat Tuzzolino. God bless, Sam! Thank you
for your music!
I spent many Monday nites on the stand at Charlie O's Jazz club in Pat Tuzzolino's trio. He was an increadable musician and so much fun to work with. RIP
I took a few lessons with Sam in the early eighties. He was a giant. Sad to see him go, happy to have known him just a little.
Hi Sam
Have just been lucke to buy
the LP Samost Most plays Bird, Bud, Monk and Miles from 1957-Sextet and Excellent Big Band in Bob Dorough's fine arrangement and YOU Sam on SUPER clainet
Keep Swingin'
Ole Knud Goritzen
Gilleleje, Denmark
Sam is an old soul. It was my honor to drive him around just a little and have him play on my upcoming CD, "Wake Up Shabbat." Beautiful stuff!!
Sam I really enjoyed seeing and hearing you and spending some time with you here at the NFA in Vegas recently. And thanks for your new cd. It is georgeous. Love it.
Next time maybe we'll have some time to remember some of our time on the Buddy Rich Band.
You gave me your contact info i.e. ph.,email, etc. so I'll be calling you sometime to discuss doing possibly having you do something in Vegas, etc.
I didn't see your book in your store section. Is it still available.
Take care my friend. Tom
After hearing your Organic Flute cd, I've been absolutely possessed by your playing. I listen to it every single day and anything else that I can hear on youtube. I wish that the But Beautiful album
was in print but youtube is good. I'm a flutist and you have totally inspired me. My name is Hollis Donaldson an I would love to be able to get close to your most wonderful expression. Writing this
is actually making me teary eyed. Thanks for being my mentor.
Hi,Rick, Thanks for the Sam's Transcribed solos with very very quick service! Amazing solos!!!
I'm waiting for you to write a book on the history of jazz flautists who love kasha varnishkes!
I just picked up your Jazz Improvisation book and it's awesome, thank you for so much great material to work on. I studied trumpet from CSUN and freelance in the Los Angeles area. Thank you for so
much great music!
Great work, Rick!